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October 6, 2019 8:23 am  #1


Instant Replay: Odds & Ends 3: CHUM Records, WKRP & The Real WOLD DJ?

Last week, we looked at some Odds & Ends that didn’t really fit any particular category. This week, one last look back at some leftovers, starting with CFRB.
 
“Farming” Out Its Audience
 
Quick, what’s the first thing you think about when the call letters CFRB come to mind? Why, farmers of course. In this ad from 1941, the station brags that it reaches everywhere – including some 192,000 farmers.
 

 
Speaking of CFRB, is there something vaguely racist in this ad from 1944? I’m not sure they’d get away with this today.

 
It’s 1948 and even the Argos are airing on 1010:
 

 
Quiz shows were definitely a staple on ’RB in its early days. Like in 1949.
 

 
CFRB eventually went all talk, and remains in that format today. One of its first big stars was Charles Adler, now doing his thing in Vancouver out of Corus’ CKNW. But he sometimes refers to his days doing talk in the U.S. Here’s the proof it happened, from 1992. It’s somewhat ironic that the Conservative-leaning host was on a network called “Sun Radio,” considering what happened to the TV network by that name in Canada. 
           

 
TV Or Not TV – That Is The Question
 
CFRB owner Standard Broadcasting never did get the TV station it always wanted, but if it had, it seems like it would have been at least partially ethnic – and based not in Toronto, but nearby Newmarket.
 

 
Tickets To “Hamilton”
 
Corus now owns CHML, but if the folks at RB had their way, it would have been their sister station one town over in 1970. It’s mind boggling that it was CHIC that objected to the idea. 
 

 
For The “Record”
 
Just down the street from ’RB was CHUM, a place that not only became famous for playing records, but trying to make them as well. Which reminds me, whatever happened to the Tote Family?
 

 
In the mid-1960s, CKFH went after CHUM for Toronto’s Top 40 audience. So you can only imagine the atmosphere around this table, after Jimmy Ruffin came to town in 1967.
 

 
Meanwhile John Donabie continued a run of amazing radio over on 104.5
 

 
Two “Long Distance” Calls
 
Normally, a radio station worries about its own local audience. But in an unusual contest in 1946, one Quebec outlet was thinking about those listening far away.
 
 
Meanwhile, several years later in 1960, another long distance call created quite a DX mystery – for a while.
 
 
 
Interpreting David Marsden
 
David Mickie/Marsden made quite a mark in Toronto radio history, with gigs at CKEY, CHUM and CFNY. But he made a splash most of us probably never knew about in Montreal, too, as this 1968 story illustrates.
 

Speaking of famous (or infamous) announcers, it turns out a soon-to-be-famous troublemaking TV loudmouth was creating problems for his radio employers long before he hit the tube. Morton Downey Jr.’s eventual syndicated talk show was a magnet of weirdness and hate, and it appears he started early. From 1965:
 

The Ads They Are A-Changing
 
Talk about changing times. Compare these two ads for WBEN-AM Buffalo from 1961 and 1970.
 


 
We Interrupt These Programs
 
Some here may remember when Kenny Rogers wasn’t a country singer, but fronted a rock-folk type band called the First Edition. Somehow, they ended up as a sort of Can Con entry, when they taped a syndicated TV show out of CFTO in 1971.
 

 
You might recall Rollin’ On The River, but what the hell was this thing a year earlier?
 

 
Speaking of TV, Canadians are more than familiar with simultaneous substitution, the annoying practice of inserting a Canadian station for an American one when both are showing the same program. So it came as quite a surprise to see that back in 1967, the same thing appeared to be happening – but on the U.S. side of the border.
 

 
Would You Hire The Big Guy?
 
It’s hard to remember now what an impact WKRP in Cincinnati had on viewers and radio people alike. It was never a huge ratings-getter, but its indelible characters, led by Howard Hesseman’s Dr. Johnny Fever, seeped into public consciousness and never really went away. So the stars of that show decided to cash in while they could, including this remarkable ad featuring Gordon Jump, aka “Big Guy” Arthur Carlson.
 

 
Is This The True Story Behind Radio’s Most Famous Song About Radio?
 
This somehow seems to be the most appropriate way to sign off our Instant Replay series, with a famous song about radio. Over the years, the origins of Harry Chapin’s WOLD, about an aging disc jockey and his crumbling career and marriage, has been attributed to just about everyone from Joey Reynolds to Jackson Armstrong.
 
But in 1973, this article purported to tell the true story behind the hit – and credited its creation to a jock at none other than Buffalo’s WYSL.
 
 


 

 

October 6, 2019 12:02 pm  #2


Re: Instant Replay: Odds & Ends 3: CHUM Records, WKRP & The Real WOLD DJ?

Lots of good stuff here. 

Interesting that CFRB acknowledged the large rural and farming population in 1941. This is an area that has been ignored by radio stations and broadcasters for years. Even today the rural community is very big in southern ontario and worth billions. Daily newspapers in particular (Hamilton, K-W, London, Windsor) should still be giving more acknowledgement to the large rural/farming communities surrounding these cities.

Farm folks still tend to be newspaper readers and listen to the radio in big numbers. There is a lot of advertising money to be had from this group, especially co-op and some national advertising with farm implement companies. The farming community is diverse, and they all don't listen to, or necessarily like country music!

Anyone know how long Charles Adler lasted in the US? What stations carried his program?

Looks like the Tote Family never did record for Chum Ltd's. MUCH record label. They released two singles on Yorkville according to Discogs but nothing on any of the Chum affiliated labels. Winterlea did publilsh their two songs which was later affiliated with MUCH.

MUCH Records was formed in September 1970, by Brian Chater and Allan Waters of Chum Ltd, and the first single to be released was a minor hit for Montreal's Pagliaro with Give Us One More Chance. Pagliaro was already a star in Quebec with many hits in French.

MUCH Records/MUCH Productions and secondary labels (Much International, Sweet Plum and Fleur) released about 100 singles and albums during the 4-5 year life of the company. The only real success that MUCH had was Pagliaro, April Wine and CopperPenny. Interesting to note that even though April Wine's first three albums were produced by MUCH productions all of these were on the Aquarius label.

Chum Ltd. also owned music publishing affiliates Summerlea and Winterlea music. So it was interesting that a broadcasting company took a fairly serious stab at the music industry.

The only other one that comes to mind for me was Standard Broadcasting's CTL- Canadian Talent Library material which released many MOR/Beautiful music singles and albums for radio stations across the country. CTL had a big hit with Haygood Hardy's The Homecoming back in 1975, which was released on the Attic label.

 

Last edited by paterson1 (October 6, 2019 12:21 pm)